Programmoire + The Workstation

Batool Desouky

Programmoire engages with a mathematical artefact, the magic square, applying to its inherently computational logic a sorting algorithm that parses through all its permutations. The work is also informed by the tradition of making grimoires, taking the practice of recording elements, recipes and rituals and augmenting it into a programmable processes. Programmoire finds magic squares within the possibility space of number sequences, and studies their structure across one, two and three dimensions to record the emergent paths, patterns and forms within them.

The Work Station is an installation creating a speculative workstation for studying magic squares. A printed portion of Programmoire sits on the table, while the wall is turned into a control panel of sorts. The screen panel displays the live programme, running through the number sequences and interfacing with a small printer which outputs the corresponding sigils, while smaller screen displays a 3D rendition of the sigils.

The project explores the intentional, procedural and executable within magic, to discuss the practice as one that has been traditionally assigned mystical, unpredictable and temperamental attributes, and the implied gendered and hierarchical binaries within those associations.


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ON SITE

Goldsmiths, University of London
St James Hatcham Building

    Batool Desouky

    Batool Desouky works with narratives, archival material and the imagination to make computational research projects of variant forms. Her work was exhibited as part of How is That Working For You, Goldsmiths, London (2019), Collectivity: Objects and Associations in the UAE Art World, Maraya Art Centre, Sharjah (2018), and Vantage Point Sharjah, Sharjah Art Foundation (2017). She was part of a residency with Arebyte Gallery, London (2018) and Residency For Artists On Hiatus, online (2014). Batool has worked as programme coordinator and curatorial assistant at Sharjah Art Foundation (2013 – 2018). In 2018, she co-founded Tariff, a bilingual, independent publishing platform that introduces the world to artists from the SWANA region. She is currently based between London and Kuwait.

    Tags
    Computational resistance  Paracomputing   live  generative  physical computing  

    Batool Desouky

    Batool Desouky works with narratives, archival material and the imagination to make computational research projects of variant forms. Her work was exhibited as part of How is That Working For You, Goldsmiths, London (2019), Collectivity: Objects and Associations in the UAE Art World, Maraya Art Centre, Sharjah (2018), and Vantage Point Sharjah, Sharjah Art Foundation (2017). She was part of a residency with Arebyte Gallery, London (2018) and Residency For Artists On Hiatus, online (2014). Batool has worked as programme coordinator and curatorial assistant at Sharjah Art Foundation (2013 – 2018). In 2018, she co-founded Tariff, a bilingual, independent publishing platform that introduces the world to artists from the SWANA region. She is currently based between London and Kuwait.