A Siren Calls

Karen Okpoti

‘A Siren calls’ is an algorithmic data sonification piece which utilises information from body tracking and motion detection to create interactive soundscapes. The focus of the piece is the body in relation to the pole as these two distinct objects become one and the pole becomes a part of the extended self of the dancer. Certain possessions and external objects are seen to be a part of us and allow deeper explorations of the self. They extend our identity beyond the mind and body alone.

This piece is created solely in Max Msp using the Kinect and Jitter for motion capture. Certain values are used as input to alter pitch, rhythm and to create melodies and unique compositions. The work aims to highlight the personal relationship the dancer has with the pole as this choice of object demystifies issues surrounding the female body and the male gaze. This is an art form with several connotations surrounding it and the aim of the piece is the exchange with the audience by capturing their attention and stealing their time but also allowing them to gaze at the movements of the enchanting woman. The soundscape created will vary for each iteration of the performance. Therefore, the different movements chosen will allow for the body to create the narrative, tonality and emotionality of the soundscape rather than the reverse.


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Goldsmiths, University of London
St James Hatcham Building

    Karen Okpoti

    Karen Okpoti is a computational and performance artist, who experiments with body tracking technologies to explore fluidity and motion of the human body as a medium to create interactive soundscapes.

    Karen's work also considers how virtual environments can be used to create digital metaverses, as a way to enhance the digital self and discover how humans interact within 3D spaces. Previous shows Karen has participated in include the Can you see my screen? (2020) digital exhibition, with the piece Sounds of the Golden Coast, a project which pays homage to her homeland of Ghana through an interactive musical instrument.

    In future, Karen aims to continue her work in this direction, bringing to life compelling narratives through interactive soundscapes and motion.

    Tags
    Bodies in relation   interactive  sound  performance  

    Karen Okpoti

    Karen Okpoti is a computational and performance artist, who experiments with body tracking technologies to explore fluidity and motion of the human body as a medium to create interactive soundscapes.

    Karen's work also considers how virtual environments can be used to create digital metaverses, as a way to enhance the digital self and discover how humans interact within 3D spaces. Previous shows Karen has participated in include the Can you see my screen? (2020) digital exhibition, with the piece Sounds of the Golden Coast, a project which pays homage to her homeland of Ghana through an interactive musical instrument.

    In future, Karen aims to continue her work in this direction, bringing to life compelling narratives through interactive soundscapes and motion.